On the fast attack time setting the compressor will react quickly and grab the transients, resulting in a softer, less “pokey” front-end. On the slow attack setting, the compressor will allow the transients to pass through untouched, resulting in a punchier front-end. This EQ is highly musical, and I often find myself using it to paint in broad strokes which drastically alter the overall tone of an instrument rather than doing multiple surgical cuts in the mids to try and achieve a similar effect.įast/Slow Attack: Depending on whether you’re looking to tame or accentuate the attack of the signal you’re compressing/limiting, definitely make sure to experiment between using the fast or slow attack time setting.
Alongside developing the first audio plugin, the Waves Q10 Paragraphic EQ, and the hugely popular L1 Ultramaximizer/Limiter back i Play Video My Top-tips for Using the SSL E-Channel PluginĪggressive Shelving: Don’t be afraid to try cranking a +8-10 dB 8 kHz high-shelf boost on vocals and drums to get them to really shine and cut through.
#Cla 2a compressor plugin software
Waves Audio are without a doubt the most widely used and well known brand of professional audio software and plugins, and have been so for almost 30 years at this point.
#Cla 2a compressor plugin how to
How to Mix w/ Waves SSL G-Channel and E-Channel Plugins The EQ features sweepable high & low-pass filters, and a four-band parametric equalizer.Ĭheck out the video below, in which Eric Tarr gives a great in-depth explanation on how the plugin works, alongside some awesome practical usage examples. The plugin consists of a 6-band equalizer section on the left, and a flexible, powerful dynamics section on the right with a great compressor/limiter and gate/expander. Green Day’s American Idiot, Nirvana’s Nevermind, Paramore’s Riot, Bruce Springsteen’s Born in the USA and Nickelback’s Dark Horse were all mixed on SSL consoles and relied heavily on built-in processing! The go-to choice of platinum hit makers including Chris Lord-Alge, Andy Wallace, Randy Staub, David Bendeth and Bob Clearmountain, SSL consoles are famous for their aggressive, punchy, “in your face” sound. This console is widely regarded as the most famous mixing desk of all time. Part of the Waves SSL 4000 Collection, but also available to purchase individually, the SSL E-Channel plugin is an authentic emulation of the Solid State Logic 4000-series mixing console of the same name. Note: although pretty much all of the plugins I’m mentioning in this article are pretty old at this point, the fact that hundreds of chart-topping, A-tier engineers still use them religiously in mixes just goes to show how awesome they still are! 1.
You’ve most definitely heard these being used on thousands of chart-topping records. On that note, today I’d like to introduce you to 5 Waves plugins I’ve been using heavily on a daily basis for the last 10 years or so. Your phantastic one mic video is a challenge for those who don´t believe.Waves Audio are without a doubt the most widely used and well known brand of professional audio software and plugins, and have been so for almost 30 years at this point.Īlongside developing the first audio plugin, the Waves Q10 Paragraphic EQ, and the hugely popular L1 Ultramaximizer/Limiter back in the 90s (which are both still being used in major studios all around the world to this day!), Waves remains at the forefront of technological innovation and authentic analog emulation with each new product they release. What I really appreciate in your instructions is that you encourage people to first do something with what they have got already and not fall in the trap that we all wasted so much time in and bought software and hardware like maniacs to get better mixes instead of improving the skills.īecause, yes, big yessss! Modern DAW´s have become so good that it is possible to get great results without buying lots of additional stuff. Even the TC Electronics´ version is not as good as the UAD one. Regarding vocals I compared the Universal Audio 1176 with the other ones and I found that they are not as capable to reproduce the special effect of the hardware (that was also made by Universal Audio) on lead vocals so well that it cuts through a mix like nothing else.
Not only my impression, but I found the same opinion in Tischmeyer`s book on mixing.
I don´t like it so much on bass instruments (bass and BD) because for my taste it has the tendency to make them sound thin. Used them ever since because I love them. Mastering engineer F Tischmeyer recommended them once to me and I got the Universal Audio ones (with the UAD Card).
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